Celtic Ogham symbol symbolising the Oak as a door between worlds.

Hill End

Informed by deep conversations with the history and presence of place, Julie’s work deals with gateways, thresholds and bridges between worlds. Williams has exhibited widely in the Central West region of NSW, Hill End, Molong, the Western Plains Cultural Centre, Dubbo and Bathurst Regional Gallery. Her work is in the collection of BRAG.

The work created for The Long View exhibition 2013, Western Plains Cultural Centre, Dubbo Regional Gallery, was inspired by Hill End and the Parramatta Lakes area of Sydney, NSW with mentoring from local elder, Uncle Des and friend Aunty Lola. Gavin Wilson writes about these relationships in the catalogue. Michael Reid Gallery Murrurrundi,, NSW, exhibited selected works in 2014..Writing also includes Janet Haslett and Genevieve Carroll’s work that was combined, with Julie, in this exhibition. The wallpaper collage, upon the traced bedroom, is a commentary on interior decoration and a desire to hang landscape paintings upon the walls of historic homes. This seemed ironic to Williams, as through the window is often found a more beautiful aesthetic.

Celtic Ogham symbol symbolising the Oak as a door between worlds.

WPCC Dubbo- Michael Reid Murrurundi

Celtic Ogham symbol symbolising the Oak as a door between worlds.

The Great Divide - BRAG

Julie showed work alongside her fellow artists Janet Haslett and Genevieve Carroll in 2011 at BRAG, Bathurst Regional Gallery, NSW. The oil paintings of Hill End landscapes overlain with tracings of houses, reflect her deep sense of belonging in this historic town, her home and studio. This work is also informed by Julie’s research into historical and contemporary Australian landscape painting.

Celtic Ogham symbol symbolising the Oak as a door between worlds.

Beyond The Great Divide - Molong

Jaye’s Gallery Molong exhibited these works painted in the town just after the Bathurst show in 2011. The exhibition was curated by Libby Oldham the owner and Rex Irwin from Sydney. The show featured the works of Hill Ends’ award winning sculptor Hui Selwood in the gallery and courtyard garden. Alongside their work were four original etchings by Goya. Rex, a dedicated collector and gallery owner who was mentoring Jayes, spoilt everyone by sharing these works that he owned.

Many of these works were made under the teaching and mentoring of Aida Tomescu and Adam Cullen whilst Julie was in her graduating year at National Art School in 2003. Painted from the two main lookouts in Hill End, Julie has used different mediums to explore the gold mining history within Hawkin’s Hill. The charcoal drawings are of her home and garden in Hill End, the cicadas on the oak tree are a favourite subject.

Celtic Ogham symbol symbolising the Oak as a door between worlds.

Great Western Undaunted

Celtic Ogham symbol symbolising the Oak as a door between worlds.

84 Chains Due South

Julie became fascinated with the history of the Chinese diaspora in Hill End and held an exhibition in the decommissioned historic Catholic Church in 2004. She made sculptures using silicone and a plaster mold to create calligraphic banners inspired by imagery of the old mining leases on Hawkins’ Hill. Tasmanian artist, Bea Maddock inspired Julie’s small painting of supposed bush ranger Sam Poo.