Recent Work
As diverse as her travels and connections, Julie Williams’ recent work is process focussed and opens a discussion about magical realism, abstraction and a desire to explore different mediums. Her latest artworks, out of her studio collective in Freshwater, Sydney, use reflective light, geometric form and the syncopation of a high key palette to play with abstraction of the landscape and placement of elements to broach the familiar theme of the tension between worlds.
Freshwater
An empty ocean pool is a portal to another world. This intense and almost daily interaction with a place, documents the artist’s desire to connect deeply to her Sydney environment of Freshwater on the Northern Beaches. This enquiry has allowed her to follow an authentic expression of present moment experience when outside of Hill End. The placement of the flag pole, cliff lines and other key elements continues to explore the tension between worlds which is intrinsic to Julie’s experience. See more below to access work shown at Salamanca Arts Centre, Hobart, Easter 2025.
Portland
A month long residency in March 2024, Portland culminated in several new works with a continued focus on the pool and also a large chimney as the boundary between worlds. Williams was also able to continue her abstractions of Split Rock in Hill End, read, meditate, walk and draw the Squat Cottage and her surroundings with no interruptions, allowing her to focus on her own experience and expression without a sense of audience.
Hill End
Julie has owned a home and artist studio in Hill End, NSW for many years. Due to her ongoing connection to the people, history and place, the objects and themes engendered by her relationships there continue to inspire her art, even at times when she is not physically present. Williams’ connection to Hill End is absolute and enduring - a place where she can feel truly at home in the landscape.
South East Asia
Julie’s residency and satellite exhibition with Jumaadi and friends during ARTJOG in Indonesia 2015, along with her many exhibitions in Singapore over a five year period expanded her practice. Her passion for textiles led to her silk screen printing and sewing over batik remnants that she was a able to repurpose. Julie was also inspired by her docent experience at NGS, Singapore, guiding artworks from ten countries. She also researched and guided important visiting exhibitions including. Artist and Empire from Tate Britain, Reframing Modernism from Pompidou Centre and Juan Luna from the Philippines.