Celtic Ogham symbol symbolising the Oak as a door between worlds.

Current practice

Along with the Ocean Pool series, these current works from Hill End, represent an exploration into diverse mediums including encaustic, clay and porcelain, and an attempt to resist the urge to create a cohesive outcome.

Celtic Ogham symbol symbolising the Oak as a door between worlds.

Tracing Threads - Sheffer Gallery

Upon her return to Sydney, Australia, Julie held a retrospective exhibition of her five years living in Singapore and Indonesia. The cultural connections between the mine shafts of Hill End and the volcano shaft of Merapi in Java were appreciated by her audience and described in words by Luke Sciberras and Sonia Legge.

Julie Williams speaks at the Scheffer Gallery as part of her Tracing Threads exhibition.

Julie Williams speaks at the Scheffer Gallery as part of her Tracing Threads exhibition.

Julie Williams speaks at the Scheffer Gallery as part of her Tracing Threads exhibition.

Julie Williams speaks at the Scheffer Gallery as part of her Tracing Threads exhibition.

Celtic Ogham symbol symbolising the Oak as a door between worlds.

Hill End Festival

The Hill End Festival gave Julie a chance to integrate her experiences in Asia with her Hill End home, studio and community. The repurposed batiks were placed in specific locations that spoke to Julie’s ideas of belonging and diaspora and how to navigate and settle on new land.

A batik sarong blows in the wind in a canyon as part of Julie Williams’ Sakthi Magic installation at the Hill End Festival.

A batik sarong hangs in front of a stone archway as part of Julie Williams’ Sakthi Magic installation at the Hill End Festival.

A batik sarong hangs in the forest as part of Julie Williams’ Sakthi Magic installation at the Hill End Festival.